Principals
Will Parker
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All new for the 2022 season.
The complete costume set for Oklahoma.
Page under construction pictures coming soon.
Contact us for more information on this exciting new costume set from our studios for 2022 season.
Rogers & Hammerstein`s smash hit Broadway musical comes to life on your stage!
Rodger’s and Hammerstein’s Oklahoma! opened on broadway back in 1943, and has held the record as the most produced show in history ever since. It’s a delight of a show, with unforgettable songs, but don’t let the sugary opening facade fool you, because this barn-stormer has more grit and gristle than you might think.
It’s a love affair between a “seize life by the horns” kind of cowboy, and the niece of a particularly feisty aunt, but there’s an obsessive farmhand lurking in the wings, more than ready to spoil things, and the whole is set against the wide open skies and blue-ridged mountains of the mid-west - all entirely idyllic and romantic you might say - but life is anything but easy out here on the frontier. Out here if you have a problem, you usually just shoot it.
And there’s a new dawn rising over the prairie’s; a federalised, mechanised, united America, and who knows what kind of future that might bring!….
With a list of smash songs, Oklahoma is guaranteed to get you out of your saddle and wishing you too were riding off into the sunset, so book with us today and make sure you look fantastic doing it! You will be getting costumes, footwear all included, plus hats, belts holsters. Call for a costume plot.
We have no published price list as our shows are tailored to each individual collaboration. But don’t let that put you off, our professional service team always aims to accommodate.
Original text for Oklahoma musical costume hire © Callum Blake 2022
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DIRECTORS INFORMATION
Oscar Hammerstein II
MUSIC Richard Rodgers
LYRICS Oscar Hammerstein II
BASED ON THE PLAY/BOOK/FILM
Green Grow The Lilacs By Lynn Riggs
CATEGORY Musical
NUMBER OF ACTS 2
FIRST PRODUCED 1943
GENRES Comedy, Dark Comedy, Romance
SETTINGS Period, Multiple Settings
TIME & PLACE Turn Of The Century, 1900s
CAST SIZE Medium
ORCHESTRA SIZE Large
DANCING Heavy
LICENSOR Rodgers & Hammerstein Organization
IDEAL FOR College/University, Community Theatre, High School, Large Cast, School, Professional Theatre, Regional Theatre.
CASTING NOTES Mostly Male Cast. Includes Mature Adult, Elderly, Young Adult, Adult Characters
Act I
In the territory of Oklahoma, just after the turn of the century, Aunt Eller sits churning butter on the porch of her family’s farm. Curly, a handsome cowboy, comes to call (“Oh, What A Beautiful Mornin’”). Aunt Eller knows he’s come to ask Laurey to the Box Social, even though he and Laurey are too proud to admit it. Laurey appears (“Laurey’s Entrance”), denying Curly’s goading assumption that she’d been listening to their conversation. She feigns disinterest as Curly describes the ride he’s arranged, should she accept his invitation (“The Surrey with the Fringe On Top”). Laurey calls his bluff. It appears Curly has made up such a surrey.
Will Parker stumbles in, having just won a steer-roping contest at the Kansas City Fair. The prize was $50 – just what Ado Annie’s father told her he’d need to marry her. Will shows off his new picture-peep toy, called “The Little Wonder,” to his homecoming crowd. Excitedly, he tells them all about his trip (“Kansas City”).
Will leaves to find Ado Annie as Curly returns. He asks Aunt Eller plain out: If it’s not him, whose affection does Laurey lean to? Jud Fry, the hired hand on the farm, appears and reveals that he asked Laurey to the Box Social. When Laurey doesn’t deny this, Curly confirms his date with Aunt Eller, revealing the surrey he’d described was hired for real after all. Curly leaves, bragging again about his hired ride (“The Surrey with the Fringe On Top” Reprise) while Laurey, stunned, hides her envy.
Once he’s gone, Laurey begs Aunt Eller not to go with Curly so she doesn’t have to ride alone with Jud. Laurey just didn’t want to give Curly the satisfaction of going with her. Eller brushes aside Laurey’s fears as Ado Annie and the peddler Ali Hakim arrive.
Aunt Eller has a bone to pick with the peddler about a past purchase. Laurey tells Ado Annie that Will is looking for her. Ado Annie wasn’t counting on Will being back so soon – the peddler is driving her to the Box Social. Laurey is tickled by Ado’s inability to choose between the two. She hates disappointing a beau when he’s paying a call (“I Cain’t Say No”).
Ado Annie interprets Ali Hakim’s offer to take her to “paradise” – an upstairs room at the hotel in Claremore – as a proposal of marriage, but his intentions are much simpler. Laurey’s concerns about making up her mind prompt Ali to sell her a bottle of Egyptian Smelling Salts said to have the ability to decide a difficult choice. Will unexpectedly arrives, announcing his return. Will tells Ado Annie about his $50 cash prize. Unfortunately, he spent it on gifts for her and no longer has the money to give her father.
Feeling rebuffed by Laurey, Curly takes up with Gertie Cummings, who flirts with him as the women prepare lunch baskets. Laurey declares her independence (“Many A New Day”).
Ado Annie tells Ali Hakim she has promised herself to Will Parker, and Ali is relieved. Ado Annie’s father, Andrew Carnes, enters with shotgun in hand, and learns that Will Parker spent the $50 needed to take Ado’s hand in marriage. He also hears about the “purty” talking Ali’s been giving his daughter and suggests to Ali, opportunistically with his gun, that it indeed does sound like a marriage proposal. Ado Annie leaves, excited to tell the girls about her engagement to the peddler, leaving Ali Hakim to vent his frustration (“It’s A Scandal! It’s A Outrage!”).
Curly is now taking Gertie Cummings to the Box Social, and when she leaves, he mentions to Laurey that everyone’s expecting him to take her instead. Playfully, they wonder how such outlandish rumors begin (“People Will Say We’re In Love”). Curly plainly asks if she wants to tell Jud she’d rather go with him, but Laurey says she can’t. Curly sets off to visit Jud to understand why.
In his smokehouse, Jud polishes his gun as Curly notices photos of naked women on his wall. Curly, noting a rope hanging from the shed’s wall, says, “You could hang yerself on that, Jud,” manipulating Jud into fantasizing about killing himself (“Pore Jud is Daid”). Jud warns Curly to stay away from Laurey, but Curly’s provocation spurs Jud into firing a warning shot. Calmly, Curly shoots a bullet straight through one of the roof’s knotholes just before Aunt Eller interrupts.
Ali tries to sell Jud more naked postcards, but Jud is interested in something else: “The Little Wonder,” a picture-peeping toy with a surprise blade that pops out from a spring, meant to stab the person you’re showing it to. Ali says he doesn’t handle dangerous items like that, and leaves Jud to fester and churn about living in what Curly referred to as “this lousy smokehouse” (“Lonely Room”).
Back on her porch, Laurey takes a whiff of smelling salts as her girlfriends surround her. She drifts off into a dream, and a ballet begins (“Dream Sequence: Out of My Dreams”). In the dream ballet, Laurey prepares for her wedding, but is shocked to see that the man she’s marrying is Jud. Curly enters and tries shooting at Jud who persists toward him, immune to the bullets. Jud then grabs Curly by the throat. Curly collapses and Jud carries Laurey away over his shoulder as she blows a kiss to Curly’s dead body.
Laurey suddenly wakens as Jud shakes her from her revery. It’s time to go to the Box Social. Curly, who had arrived unexpectedly, stands alone, defeated, watching Laurey and Jud leave together.
Act II
At the Box Social, the crowd is dancing, and Carnes begins to sing a song about the necessary bond between cowboys and farmers (“The Farmer and the Cowman”). Aunt Eller is elected auctioneer for the coveted lunch hampers; the men will bid on individual boxed meals prepared by the town’s women.
Will confronts Ali about his apparent engagement to Ado Annie and challenges the legitimacy of his love for her. Will knows his love for Ado is real because of all the gifts he bought her with the $50 he was supposed to use to win her father’s favor. Ali suggests he could buy some of the gifts back, to peddle, if Will was willing to sell them. Ali pays Will generous prices for each gift. Will, ignorant of the “Little Wonder’s” sinister utility, sells it to Jud, eventually making all $50 back.
The auction is now down to the final two hampers: Laurey’s and Ado Annie’s. Ali Hakim wins Ado’s basket after Will almost loses the $50 once more, leaving Will still eligible to marry Ado in the eyes of her father. Laurey’s basket is a popular lunch, but Jud keeps outbidding everyone by a few bits until Aunt Eller can’t wait for another bid any longer. Curly steps in and sells his saddle, horse and gun, outbidding Jud’s entire savings of two years: $42.31. Curly wins and Aunt Eller ends the auction abruptly.
Now that Will and Ado Annie are engaged, Will wants Ado Annie’s to stop having fun with other fellas. With some convincing, she agrees as best she can, and they share a kiss (“All Er Nuthin’ “).
Jud and Laurey are still dancing, but she is uncomfortable – he knows she doesn’t like him and regards him as a filthy hired hand. Growing angrier, Jud makes a vague threat and Laurey fires him on the spot. It’s her family’s farm, after all, and she has the right to hire and fire people. Jud storms off. Laurey sits, terrified, looking for Curly, who then appears. She can’t hide her desperation to be safe with him, the one she trusts and desires. Laurey explains her fear of Jud, and Curly promises to make it all right. They flirt, and he begs her to marry him. She says yes, and he elatedly declares his love for her (“People Will Say We’re In Love” Reprise).
Three weeks later, Laurey and Curly are married. The newlyweds and their friends all come out to the back of the house, cheering and celebrating (“Oklahoma”). Suddenly, Jud arrives uninvited and the celebrations pall. Jud claims he is there to give the groom a gift, but first he wants to kiss the bride. As Jud moves in to kiss Laurey, Curly pulls him back and Jud punches him. The fight continues until Jud pulls a knife on Curly. When Curly throws him, Jud lands on his own knife, groans, and lies still on the ground. The crowd tries to help, but Jud is dead.
The newlyweds are distraught. There’s nothing that can be done about Jud, but Cord Elam, a Federal Marshal, thinks Curly should turn himself into the judge that night, despite their train leaving town in 20 minutes. Aunt Eller suggests to Andrew, the judge, that they hold an informal court there. Cord Elam disagrees at first, but Andrew decides they can give Curly a fair trial without locking him up on his wedding night. Andrew, as the Judge, guides Curly into a self-defense plea. Cord Elam suggests he doesn’t feel right about this, but Aunt Eller and the wedding attendees, now witnesses for the court, support the Judge’s immediate verdict of not guilty. Everyone hurriedly gets the newly wedded couple into the surrey, waving them off to their honeymoon (Finale Ultimo: “Oklahoma”).
